I was pretty dorky, but there are tiers of dorkdom and I always had friends, though they were equally dorky. I was one of those kids who contracted cooties in the second grade and then had cooties, because there wasn't a vaccine for it. When I was around people, though, I generally wanted to make them laugh. I told a lot of stories.

Ladies. Large masses of girls are often prone to this salutation. I hate being mollified with this unsolicited "ladies" business. I know we're all women. I am conscious of my breasts. Do I have to be conscious of yours as well? Do men do this? Do they go, "Men: Meet for ribs in the shed after the game. Keg beer, raw eggs, and death metal only." I would imagine not.

I called my mother immediately to inform her that she was a bad parent. "I can't believe you let us watch this. We ate dinner in front of this." "Everyone watched Twin Peaks," was her response. "So, if everyone jumped off the Brooklyn Bridge, would you do it, too?" "Don't be silly," she laughed, "of course I would, honey. There'd be no one left on the planet. It would be a very lonely place.

I don't understand how you can be a decent writer and not know people.

Everything in New York seems to merit preserving. If it's not historical, it's personal. If it's not personal, it's cultural. But you can't. You can't save everything. You just have to pack it up in your brain and take it with you when you go.

I think the goal with any writing, but especially narrative nonfiction, is to put the blockade of putting your thoughts in this unnatural medium of print and then trying to reach through that and actually convey what's going on, what you think, and make people laugh and recognize themselves while doing it. Definitely the laughing thing.

I don't do emoticons unless I'm making a big deal out of them. I'll type out, 'This is so amusing it makes me want to grin in pixels.' And then do it.