The most interesting characteristic of the cube is that it is relatively uninteresting. Compared to any other three-dimensional form, the cube lacks any aggressive force, implies no motion, and is least emotive. Therefore, it is the best form to use as a basic unit for any more elaborate function, the grammatical device from which the work may proceed.

Once it is out of his hand the artist has no control over the way a viewer will perceive the work. Different people will understand the same thing in a different way.

One should be intelligent enough to know when not to be too intellectual

Artists teach critics what to think. Critics repeat what the artists teach them.

Don’t worry about cool, make your own uncool.

The narrative of serial art works more like music than like literature.

I was not interested in irony; I wanted to emphasize the primacy of the idea in making art