Artists teach critics what to think. Critics repeat what the artists teach them.

Unless you're involved with thinking about what you're doing, you end up doing the same thing over and over, and that becomes tedious and, in the end, defeating.

The narrative of serial art works more like music than like literature.

The other great development has been in photography, but that too was influenced by Conceptual art.

The idea becomes a machine that makes the art.

The most interesting characteristic of the cube is that it is relatively uninteresting. Compared to any other three-dimensional form, the cube lacks any aggressive force, implies no motion, and is least emotive. Therefore, it is the best form to use as a basic unit for any more elaborate function, the grammatical device from which the work may proceed.

During the '70s I was interested in words and meaning as a way of making art.