Obviously a drawing of a person is not a real person, but a drawing of a line is a real line.

Don’t worry about cool, make your own uncool.

The most interesting characteristic of the cube is that it is relatively uninteresting. Compared to any other three-dimensional form, the cube lacks any aggressive force, implies no motion, and is least emotive. Therefore, it is the best form to use as a basic unit for any more elaborate function, the grammatical device from which the work may proceed.

I believe that the artist's involvement in the capitalist structure is disadvantageous to the artist and forces him to produce objects in order to live.

During the '70s I was interested in words and meaning as a way of making art.

When words such as painting and sculpture are used, they connote a whole tradition and imply a consequent acceptance of this tradition, thus placing limitations on the artist who would be reluctant to make art that goes beyond the limitations.

Conceptual art is only good if the idea is good.