I look for ambiguous messages to illustrate...I like some detail but not too much detail.

The fellow who wrote the post about sharing a bear suit with a girl at a party saw my illustration and emailed me, which was kind of thrilling. He sent a photo taken on the night, and that was a dream-like experience... but even though I've seen the "real" bear suit, my image of it feels real to me, and his photo the interpretation.

On the other hand, I'm drawn to top hats, and spats, and mustaches. I haven't read a Missed Connection yet with someone wearing a monocle, but rest assured I'll snap it up if I do.

I toyed with making portraits based on people's discarded shopping lists found on the street, or old diaries bought on eBay, or other forms of borrowed stories. When I stumbled across the Missed Connections listings, I knew immediately I'd found it.

There's arrogance for you. I think all artists insert themselves into their subject matter.

Someone wrote to me asking me to illustrate a missed connection that "hasn't happened yet." This guy has seen the same girl waiting at a bus stop on his morning commute for weeks, and has been trying to find a way to approach her. He thought it would be fun to put up a Missed Connections poster [of my painting] on the corner where she waits and see what happens. It is kind of an intriguing idea but there's something a bit too manipulative about it for my liking. It's a fine line between being creative and stalking!

I dismiss posts where one or other of the couple was wearing anything named by brand, or you know, baseball caps, or sweat pants, because I don't like drawing them, and I don't have to please anyone but myself.