I've never really been that much of a fan of Ninja Tune.

Your responsibility as an artist is to experiment.

One of the more distant concerns is with the visual interpretation of the music. I find it fascinating but I don't always particularly get involved with it.

My plan is if you come to the shows in the first run of dates the versions you'll hear live are quite close to the record. But because I can set this up identically afterwards in a hotel room I can actually work when I'm on the move. The aim is that all the pieces will have had substantial remixes and different parts added and subtracted.

I have a rough idea when I walk into a studio though.

Stereotyping and generating brands around musicians I think contributes to their eventual demise.

The older ideas are rendering more and more bland music.