I'd say that it's important for music to be there that gives you a challenge, that rearranges things in your head.

I want to change peoples' minds about music, I want to bring the really brutal experimental stuff to peoples' attention.

I'd say that it's important for music to be there that gives you a challenge, that rearranges things in your head.

I've never been about trying to promote a brand of Squarepusher. I've never been keen on that idea that these are the character traits that I've got to stick with and amplify and keep pushing forward and pushing on the public. I'm really happy to throw it all away and start each record with a blank slate but I concede you've got a point, there are things I can't get rid of, no matter how hard I try.

The only way to find that territory is trying to keep your mind constantly open. That's the only way that you're ever going to see the sort of signs of where to go.

One of the more dispiriting things I think about endless touring is hearing the same piece of music over and over again and I end up feeling like a fraud.

One of the more distant concerns is with the visual interpretation of the music. I find it fascinating but I don't always particularly get involved with it.