There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart's impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another's unhappiness, that pity which is not compassion, but only an instinctive desire to fortify one's own soul agains the sufferings of another; and the other, the only one at counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.

Art knows no happier moment than the opportunity to show the symmetry of an extreme, during that moment of spheric harmony when the dissonance dissolves for the blink of an eye, dissolves into a blissful harmony, when the most extreme opposites, coming together from the greatest alienation, fleetingly touch with lips of the word and of love.

Heroic ages are not and never were sentimental and those daring conquistadores who conquered entire worlds for their Spain or Portugal received lamentably little thanks from their kings.

The Battle of Waterloo is a work of art with tension and drama with its unceasing change from hope to fear and back again, changewhich suddenly dissolves into a moment of extreme catastrophe, a model tragedy because the fate of Europe was determined within this individual fate.

(Brazil:) I've never beheld such a paradise. The people are enchanting and--a mercy on this earth of ours--this is the only placewhere there isn't any race question. Negroes and whites and Indians, three-quarters, oneeighth, the wonderful Mulatto and Creole women, Jews and Christians, all dwell together in a peace that passes describing. The Jewish immigrants are in seventh heaven; all of them have jobs and feel at home.

As nature requires whirlwinds and cyclones to release its excessive force in a violent revolt against its own existence, so the spirit requires a demonic human being from time to time whose excessive strength rebels against the community of thought and the monotony of moralityonly by looking at those beyond its limits does humanity come to know its own utmost limits.

How terrible this darkness was, how bewildering, and yet mysteriously beautiful!