There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart's impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another's unhappiness, that pity which is not compassion, but only an instinctive desire to fortify one's own soul agains the sufferings of another; and the other, the only one at counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.
Stefan ZweigThe world has always needed human beings who refuse to believe that history is nothing but a dull, monstrous selfrepetition, a selfperpetuating, meaningless game, only varied in outer garb, who cannot be converted from their conviction that history signifies progress in morality, that our race is ascending on an invisible ladder from an animal nature towards divinity, from brutal violence to the wisely ordering intellect, and that the ultimate stage of complete understanding is already close at hand, indeed has almost been attained.
Stefan ZweigThe Battle of Waterloo is a work of art with tension and drama with its unceasing change from hope to fear and back again, changewhich suddenly dissolves into a moment of extreme catastrophe, a model tragedy because the fate of Europe was determined within this individual fate.
Stefan ZweigOnly the person who has experienced light and darkness, war and peace, rise and fall, only that person has truly experienced life.
Stefan ZweigHe was, like everyone of a strongly erotic disposition, twice as good, twice as much himself when he knew that women liked him, just as many actors find their most ardent vein when they sense that they have cast their spell over the audience, the breathing mass of spectators before them.
Stefan Zweig