I said it before and I’ll say it again: books are dead, plays are dead, poems are dead: there’s only movies. Music is still okay, because music is sound track. Ten, fifteen years ago, every arts student wanted to be a novelist or a playwright. I’d be amazed if you could find a single one now with such a dead-end ambition. They all want to make movies. Not write movies. You don’t write movies. You make movies.

We humans are naturally disposed to worship gods and heroes, to build our pantheons and valhallas. I would rather see that impulse directed into the adoration of daft singers, thicko footballers and air-headed screen actors than into the veneration of dogmatic zealots, fanatical preachers, militant politicians and rabid cultural commentators.

Books are no more threatened by Kindle than stairs by elevators.

To be human and to be adult means constantly to be in the grip of opposing emotions, to have daily to reconcile apparently conflicting tensions. I want this, but need that. I cherish this, but I adore its opposite too.

At John Schlesinger's funeral at a synagogue in St John's Wood some years ago the person I stood next to said to me encouragingly, 'Come on, Stephen - you're not singing. Have a go!' 'Believe me, Paul, you don't want me to,' I said. Besides, I was having a much better time listening to him. 'No. Go on!' So I joined in the chorus. 'You're right,' Paul McCartney conceded. 'You can't sing.

Simon Gray, I decided when I first witnessed this frog into prince transformation, did not have a drinking problem. He had a drinking solution.

If a thing can be said in ten words, I may be relied upon to take a hundred to say it. I ought to apologize for that. I ought to prune, pare and extirpate excess growth, but I will not. I like words—strike that, I love words—and while I am fond of the condensed and economical use of them in poetry, in song lyrics, in Twitter, in good journalism and smart advertising, I love the luxuriant profusion and mad scatter of them too.