As a teenager, I read a lot of H.P. Lovecraft, so I wrote like H.P. Lovecraft. And in my 20s, I read a lot of Ross Macdonald and Raymond Chandler, so I wrote like those guys. But, little by little, you develop your own style.

The kids accepted my drinking as a part of life. Not a particularly pernicious part. I didn't beat up on them. Basically I don't think I was so different from a lot of dads who have three or four martinis when they get in from work, wine with dinner and so on.

There should be no telephone in your writing room, certainly no TV or videogames for you to fool around with. If there’s a window, draw the curtains or pull down the shades unless it looks out at a blank wall.

At nineteen, it seems to me, one has a right to be arrogant; time has usually not begun its stealthy and rotten subtractions. It takes away your hair and your jump-shot, according to a popular country song, but in truth it takes away a lot more than that.

You see something, then it clicks with something else, and it will make a story. But you never know when it's going to happen.

Things were going very fast now. Too fast to suit him. Fantasy and reality had merged.

Somebody asked Somerset Maugham about his place in the pantheon of writers, and he said, "I'm in the very front row of the second rate." I'm sort of haunted by that.