A lot of us grow up and we grow out of the literal interpretation that we get when we're children, but we bear the scars all our life. Whether they're scars of beauty or scars of ugliness, it's pretty much in the eye of the beholder.

For me, good description usually consists of a few well-chosen details that will stand for everything else.

What's been tried once had been tried once before... and before... and before...

For a moment he felt a wild hope: perhaps this really was a nightmare. Perhaps he would awake in his own bed, bathed in sweat, shaking, maybe even crying . . . but alive. Safe. Then he pushed the thought away. Its charm was deadly, its comfort fatal.

It's a cash and carry world. Sometimes you pay a little. Mostly it's a lot. Sometimes, it's everything you have.

Writers remember everything...especially the hurts. Strip a writer to the buff, point to the scars, and he'll tell you the story of each small one. From the big ones you get novels. A little talent is a nice thing to have if you want to be a writer, but the only real requirement is the ability to remember the story of every scar. Art consists of the persistence of memory.

Bad writing is more than a matter of (expletive deleted) syntax and faulty observation; bad writing usually arises from a stubborn refusal to tell stories about what people actually do to face the fact, let us say, that murderers sometimes help old ladies cross the street.