If you're going into a very dark place, then you should take a bright light, and shine it on everything. If you don't want to see, why in God's name would you dare the dark at all?

Carrie was a terrific piece of work. At the end of the movie comes, when Amy Irving kneels down to put the flowers on Carrie's grave, a hand comes up through the grave and seizes her by the arm. The audience went to the roof, totally to the roof. It was just the most amazing reaction. And I thought, 'We have a monster hit on our hands. Brian De Palma has done something new. He's actually created a shock ending that shocks an audience that was ready for a horror film.' And there were several people who did it after that.

You couldn't get hold of the things you'd done and turn them right again. Such a power might be given to the gods, but it was not given to women and men, and that was probably a good thing. Had it been otherwise, people would probably die of old age still trying to rewrite their teens.

I thought it was great fun to scare people. I also knew it was socially acceptable because there were a lot of horror movies out there.

The quickest way to learn about a new place is to know what it dreams of.

It's as if God gave you something-all those stories- and said, "Here you are. Try not to lose it." But children lose everything unless somebody is there to help them, and if your parents are too stupid to do it, maybe i ought to.

Calling it a simple schoolgirl crush was like saying a Rolls-Royce was a vehicle with four wheels, something like a hay-wagon. She did not giggle wildly and blush when she saw him, nor did she chalk his name on trees or write it on the walls of the Kissing Bridge. She simply lived with his face in her heart all the time, a kind of sweet, hurtful ache. She would have died for him.