When I knew I was going to be able to write full time, I wondered, "What's going to happen to the relationships within my family?" Are they going to change? Is it going to be the kind of deal where you say, "I can't take this! Get me out of here! I can't stand these screaming kids!" The way it turned out was, I was able to change the diapers okay, after I stuck the pin through my fingers a few times. I had a dawning realization that children are not particularly hard to deal with.

Relief loosens tongues beyond measure.

The battle between good and evil is endlessly fascinating because we are participants every day.

A coward judges all he sees by what he is.

A lot of authority figures want to be good. I sense that, and yet at the same time I sense that authority, after a while, always leads to some kind of oppression. When the minority report comes in, what you do is run the minority out of town with a flaming cross. It's just the way things are.

By writing a horror novel where this inexplicable disorder takes over in our ordered lives, you make order look better by comparison. But below that, there's a part of us that responds to the Who bashing their instruments to pieces on the stage. There's a very primitive part that says, "Do it some more."

The story is the only thing that's important. Everything else will take care of itself. It's like what bowlers say. You hear writers talk about character or theme or mood or mode or tense or person. But bowlers say, if you make the spares, the strikes will take care of themselves. If you can tell a story, everything else becomes possible. But without story, nothing is possible, because nobody wants to hear about your sensitive characters if there's nothing happening in the story. And the same is true with mood. Story is the only thing that's important.