I've always been curious as to why one man jumps out of a fox-hole with a grenade and charges a machine gun nest and his buddy, who sits right there next to him, sits there cowering. My feeling is that the different is tiny between the two.

There are themes that somehow stir me and that I find very interesting. They're themes that deal with leadership, the nature of bravery and courage, and how to define those.

I don't want to, in any way, characterize a race or a people or get accused of racial profiling, but the Irish, as lyrical and romantic as they can be in their poetry, they can be every bit as repressed in their personal relations.

You try to go where the great scripts are, if you can, or you go where the not great scripts are, because that's what's being offered to you.

When you want to learn about something, what is the first thing you do... you go to the internet.

The idea of being in a television series is a wonderful one to be considered, but you want to make sure it's the right thing for you because if you are fortunate enough to have something go for a long term, you want to make sure that it's something that you really want to be spending a bulk of your time on.

What has emerged as I've gotten older is simplifying the characters I play, unless the role calls for something that is arcane or ornate.