I think probably underneath it all, film [Kino] has its own rhythm and its own dynamic, and we were trying to capture the movement of film and cross-reference it with music.

We were sort of coming from an angle where we wanted to break rules.

If you're going to change things, one of the things we had to change is to get away from that traditional model of rock music, and we were a part of that.

I think underneath it all [in the Big Funk] was a little bit of a Europeanness in it.

I think what we tried to do lyrically, vocally and musically was to capture a sound.

We were coming from a completely different place, which was saying "sound" is what you want to define it as, and you can shape it into music in whichever way you want.

One of the tropes of our videos is that they were very rhythmic with clipped edits.