Music doesn't have to be so rule-based - and so strict in its structures, construction and perception.

Going there [Japan] in the early 80s was quite a culture shock. I think the bombardment of Shinjuku and all that would have filtered through, which certainly informed things we later filmed.

Music doesn't have to be so rule-based - and so strict in its structures, construction and perception.

[Kino] worked really well as a song title, and to build into a lyric, and also how we embraced mulit-media at the time.

I think what we tried to do lyrically, vocally and musically was to capture a sound.

I edited Big Funk, some of the footage was shot by Peter Care. We were film buffs as much as music buffs, and so there are film reference as well as sound references.

I think that's the fascinating thing that exists now. This contrasts with a celebrity art and celebrity music culture.