Talking to my wife, we stare at each other, saying, 'How is this happening? Why is this happening? Why now?' It's nothing I ever aspired to.

When you do an animated movie - at least the ones that I've been a part of - you never see any of the other actors. It's all done separately with headphones in a voice booth.

It's interesting when you're trying to create a character in animation. It's really a communal effort.

I think anyone loves to play a character that is either evil to a certain extent or has a real definable character flaw. Those are always really fun, and, I think, funny.

I’m not good with pickup lines or flirting. I don’t have that kind of self-confidence or natural charisma.

You're so in love with your children that you'd do anything for them; that's not necessarily the best thing.

I look at improvising as a prolonged game of chess. There's an opening gambit with your pawn in a complex game I have with one character, and lots of side games with other characters, and another game with myself - and in each game you make all these tiny, tiny moves that get you to the endgame.