I find things funny that aren't self-aware. That don't know they're funny, and I think the same can hold true for drama. If you think you're in this tragedy and you play it for tragedy, there's a self-awareness there that I think takes you out of watching it and I believe it cuts both ways.

You project a version of yourself to the public to protect and insulate yourself a little bit. Actors come up with a version of themselves in order to protect the real person.

Make friends first, make sales second, make love third. In no particular order.

It's a very familiar type of place where people either go to their house on the lake or they get together in different places. This was a normal, relatable place that I think a lot of people have in their childhood.

I don't feel that I have to control every aspect of things that I appear in. You learn a lot performing someone else's writing.

It's nice to find people who live on the fringe, finding one another and she's just unrelentingly funny.

As soon as you start to talk about your own mannerisms, you are screwed. Because if you are aware of your own mannerisms, or beyond that even what makes any one thing funny to people, I really ascribe to that that if you start deconstructing it too much, it is immediately not funny.