I'm really encouraged by Pope Francis, because I think his attitude is totally laudable.

I love people who are openly gay in theatre, because they have license to do what they like, and there's a kind of artistic liberal tolerance thing that goes on.

What terrifies me is that I might somehow endorse that view so people think they don't have to read books anymore.

I do like to make people cringe. That discomfort, tension, embarrassment, pain - all of those things interest me, and not through some sort of masochistic or sadistic impulse. It illuminates what being a human being is. It taps into what it is to be human more incisively than stuff that's just very pedestrian.

I use improvisation as a writing tool to help produce material that goes into a script, but a well-crafted script shouldn't sound scripted, and oftentimes people confuse something that looks like improvisation for what is actually a very well-written script that is well-acted.

Going to a grammar school, you mixed with all sorts of different types and I used to listen to how they talked. When I did my imitations, I could sound like someone really rough, or I could sound like a cabinet minister.

To me, I like and understand ritual and I think it is important. Things that we do that give us comfort are important. Like Christmas, I like to go into a church and hear the carols sung. There's a comfort of actually going inside of a church, I find them serene. They're unchanging.