In England, I've done a whole bunch of stuff where I just make a complete ass of myself. I've been doing it for 20 years, so I just gravitate toward it anyway. I'd rather do that than do the stuff where I'm supposed to be trying to look cool in some way. It's more interesting to me.

I woke with a start. At first I assumed I'd trumped myself awake again.

It may seem like improv because it flows quite naturally, and a little bit of leeway for improvisation is good, but you have to be judicious with it. So it's good, but sometimes people deify it. You can't improvise your way out of a paper hat.

I don't want to go around making everyone else agree with me. I don't feel the need to do that.

If you start to disrespect the character you're playing, or play it too much for laughs, that can work for a sketch, it will sell some gags, but it's all technique. It's like watching a juggler - you can be impressed by it, but it's not going to touch you in any way.

I love Sherlock Holmes. I've got all his books, leather-bound. What I thought was great about Sherlock Holmes was that not only was he a supersleuth, he was also a hard worker. Not only did he go out and solve the crimes, he came home and wrote it all down. Fantastic. That's why I admire him.

Hacking into a victim of crime's phone is a sort of poetically elegant manifestation of a modus operandi the tabloids have.