Anything that doesn't make sense, I don't want to give too much of my brain to.

When you're racing, it's life. Anything that happens before or after is just waiting.

I find it difficult to breathe when l'm in the space. There seems to be no oxygen. I want to put people into a situation where they're sensitive to themselves watching the piece.

If I hadn't made it as an actor, I might have wound up a hood.

I have difficulty putting words in peoples' mouths. The best dialogue is very, very thin dialogue; you let people improvise and then basically you record what they've improvised and then write it down.

I hope you find what you're looking for.

There is no right or wrong angle for something. The idea of putting the camera in an unfamiliar position is simply to do with film language. Sometimes it is spectacular, sometimes it is ugly, sometimes it is uninteresting.