So even these stages of progression, whether it's your career or whatever, you get somewhere, but then it always brings a new host of issues that are relative dissatisfactions to a certain degree. I think it was a great philosopher who once said, "Mo' money, mo' problems."

I love working that way, and that's sort of the way that Mark, Jay, and I have been working for years, where we start with scripts that are really solid and well-written. But once we get into the scene and we start doing the work, we definitely loosen things up.

One thing about our show that wasn't even in my awareness, but was brought to my attention by other people, is that our show is about these love-based relationships. Even though the characters are obviously going through different conflicts, you can really feel that the characters love each other. And they really try their best.

But, look; it also exists for acts that are really established. It's not always a guarantee that you're going to do something that's going to be of quality. It's not always in your control. That's sort of how the business is. Because for the moment - for the moment, we're blessed.

So even these stages of progression, whether it's your career or whatever, you get somewhere, but then it always brings a new host of issues that are relative dissatisfactions to a certain degree. I think it was a great philosopher who once said, "Mo' money, mo' problems."

Everyone's encouraged to put things in their own words, to discover new things. So there's definitely an element of dynamic improvisation, for sure, which I think gives those scenes some of their energy, some of their electricity.

Like we were saying, the fact that the relationships on the show are love-based, and in the sense that I wasn't aware of how special it was in contrast to a lot of the other TV shows that are on right now. It was our audience members that pointed out the love that you see in the show is special.