The difference between a beautifully made failure and a beautifully made hit is who you've got playing the leads.

It's a funny thing about stories. It doesn't feel like you make them up, more like you find them. You type and type and you know you haven't got it yet, because somewhere out there, there's that perfect thing -- the unexpected ending that was always going to happen. That place you've always been heading for, but never expected to go.

It's the 50th year of Doctor Who and look what's going on! We're up in the sky and under the sea! We're running round the rings of an alien world and then a haunted house. There's new Cybermen, new Ice Warriors and a never before attempted journey to the centre of the TARDIS. And in the finale, the Doctor's greatest secret will at last be revealed! If this wasn't already our most exciting year it would be anyway!

Writing for adults often means just increasing the swearing - but find an alternative to swearing and you've probably got a better line.

Brainy's the new sexy.

Sherlock Holmes can be wise and funny. He wasn't, at the beginning. But later on, he's got a bantering relationship with loads of people. He's got a wisdom that he didn't have in the early stage. But he stays on the mountain top, and he will die up there. He's not going to change that.

I'll be a story in your head. That's okay. We're all stories in the end. Just make it a good one, eh? 'Cause it was, you know. It was the best. The daft old man who stole a magic box and ran away. Did I ever tell you that I stole it? Well I borrowed it. I was always going to take it back.