In the land of ideas, you are always renting.

In the land of ideas, you are always renting.

In Full Frontal and K Street, I learned to take advantage of the mobility that digital provides.

When things go right it's hard to figure out why, but when things go wrong it's really easy.

I look at other filmmakers and see skills in them that I wish I had but I know that I don't. I feel like I have to work really hard to keep myself afloat, doing what I do. But I find it pleasurable.

My experience over the years with working with people who are not actors or not trained actors is that you have to get to know them well enough to see what they have that's translatable onto the screen.

Another thing that really excites me: I'd like to do multiple versions of the same film.