I'm one who needs to be in the space [for] a sense of place and order. It's crucial.

I'm interested in really particular details, ideas, thoughts, and emotions, yet it's defused with performance, where you can play with hiding things, or be more confrontational about something shielded. There is this process of layering in performance.

I'm one who needs to be in the space [for] a sense of place and order. It's crucial.

The way I perform or the setup is always same - just me and a microphone and the text - and they usually have some relation of how physical that stack becomes. When I'm editing it together, the density of the papers is an indicator to be like, "You need to stop."

Sometimes I start with music on and then I get distracted because I'm working to a different rhythm; I'm not working to myself. So, I don't have music on when I'm working.

I like actual songs and bands, but it's usually parts, like the production, the bassline, the drums, that I'm really attracted to.

Performances have a bit of a life and a time scale to themselves.