Now, as I move through my fifties, I can be professional and domestic, creative and intellectual, patient and urgent. I have learned that we should never settle for someone else's definition of who we can be. Growing to this age, I realize, is kind of like feeling your voice deepen. It's still your voice, but it has more substance, and it sounds like it knows its own origins.

The only time I've really been away from my kids to do work was doing Shall We Dance because they both were in camp and it was the first time in twenty years that I haven't been with my kids.

As a mother trying to raise kids with some kind of a code, an honorable way to solve problems without using violence, I find it interesting to live in a country where your government is allowed to kill, whether it's war or execution. What interests me is not who deserves to die but who deserves to kill.

It's not enough just to be in a panic. We don't have the luxury to be depressed about Trump. We have to look at issues like health care and the price of pharmaceuticals, the $15 minimum wage and things that actually make a huge difference in a lot of people's lives. That's feminist.

When you run into someone in NY it is usually a pleasant surprise. When you run into someone in LA you usually had a car accident.

It's really hard to find stuff that is original. You pick up scripts and in four pages you know where it's going and the same thing when you are sitting in a theatre, I just rejoice when something unfolds in a way that I'm not conducive.

Sometimes when you have to go into something, unless you're gifted and can just turn it on and off like a jukebox, you find someplace where there's nothing going on to get yourself into whatever state your character is entering into.