I've become more like water, I'm more relaxed and I'll say, "Okay, let's just completely change it and do it that way."

I like to find comedy or something interesting to look at with whatever I'm working on.

I have to keep reminding myself that I was hired for a reason and one of those reasons is because of the stories I tell and the films I've made previously.

I remember being in Dublin in a café and seeing him [Jack Gleeson] two or three years ago, and he came in - Joffrey[from the Game of Thrones] came in - and I remember being so star-struck. I don't like famous people and I don't really get star-struck. But I remember seeing him and being so impressed that he was walking around. So I really like Joffrey.

Everything changes once you start trying to market the film. Part of you feels like everything is slipping away from you. For me, I don't want people going to the theater thinking it's going to be a laugh-a-minute comedy, like a Will Ferrell film or something. Because it's not.

I'm really not trying to do everything that comes to mind because that's when it can be dangerous. For instance, I believe as much as possible, how your camera moves and flies around should be limited to the physics of how you could do it in real life.

In a couple of years I think it [sequel to What We Do] will come out as a script and we'll shoot that. Or maybe it will just come out as some t-shirts.