There were definitely Nazis who saw the error of their ways.

I never wanted to be a filmmaker. I still, sometimes, think I got sidetracked by this, like this is a tangent. My main thing was painting; I was just going to do that.

I constantly remind myself that there are terrible movies out there. I try to watch them, some of them, to give myself an understanding of what not to do.

There are lots of parts of filmmaking that I don't like. At the end of the day, especially on features, the film turns into a commodity. You have to play this entirely new game I'm very uncomfortable with.

I've always been a relaxed person on set, but I think the main thing is I think about it from an editing point of view way more than I did before.

To make filmmaking interesting to me, I want to keep learning things.

My job is to make a film that can sit as a standalone piece, that if it's the only Marvel film you see, it's a great film with a great story in and of itself. The lucky thing is that there's a bunch of geniuses who run Marvel that make sure, even if it's a standalone piece, that it's part of a great big jigsaw puzzle that could be appreciated as a whole as well.