I believe you shouldn't force the audience's interpretation of a character or a story. The more you explain things, the less intriguing and imaginable they are for viewers. . . . Film to me, in its essence, in its ultimate nature, is silent. Music and dialogue are there to fill what is lacking in the image. But you should be able to tell the story with moving pictures alone. For my next project, though, I'd like to make the kind of film where the characters blabber all the time.

I think I am more of a coward than anybody. It's a very weird feeling. The more I fear violence, the more I'm inclined to depict it in films.

Humour is like violence. They both come to you unexpectedly, and the more unpredictable they both are, the better it gets.

The thing about art for me is that you can go on theorising your work forever, because it's open to interpretation.

I do all these various activities like painting and writing, comedy and films probably because not that I'm good at everything but because I'm not good at any of these things.

When people tell me I'm an artist, I say, 'What?' It's impossible for me to take the idea seriously.

I don't really expect much from my life. So when I heard my films are premiering in film festival circuits I was glad of course but I thought it was lucky accident.