I think my way of showing violence is unique from that of other filmmakers, in that when I show it, it hurts. It happens unexpectedly and looks painful. That's how it is in real life, and that's how it should be expressed. I don't glamorize it, nor do I depict it without necessity or inevitability.

I paint for the sheer joy of painting. I have never sold any of my paintings. I'd rather give them to people for free.

I do all these various activities like painting and writing, comedy and films probably because not that I'm good at everything but because I'm not good at any of these things.

I thought maybe I could become like the next Van Gogh. I bought a sunflower and painted it, and it looked like the work of a 6-year-old.

For me comedy and violence has a lot in common. Just as you expect, comedy always lurks behind the most unexpected of circumstances.

Having total freedom to direct my own movies is more difficult than those I was hired for, where the framework has been already furnished. Unlike with my own work, I don't have to deny or feel embarrassed at the straightforwardness or orthodoxy of the directorial style, because I can say in excuse, "This is how I was asked to direct by those people."

Cinema is a composite art into which you can include all conceivable art or entertainment forms. In film, I can work with novelistic elements, comedy, drama, music, and other forms of entertainment. Film is a versatile expression, combining all elements into one art form.