To be honest, I am not theatre-trained and though I am confident in my skill set, to do theatre requires a better-tuned set of muscles and I sometimes defer to actors who are better trained. But at the times I do want a shot, I'll go for it, especially if the piece speaks to me and the opportunity comes up. The immediate response from a theatre audience is so thrilling, affirming, and soul-feeding; to know how you've affected an audience at curtain can be ego-blowing, both good and bad.

It's a do-it-yourself kind of era with these pieces and bits of technology called iPhones. You can film your own stuff and throw it up on YouTube, I think is just a fantastic novelty and opportunity for young actors, young filmmakers to learn and hone their craft.

We know that there were so many Japanese American soldiers in World War II who were fighting in Europe despite the fact that their families, their parents were back home in American prison camps. It's savagely ironic that between themselves and the African-American soldiers, who were also segregated and didn't see the fruition of the work the culminated in the Civil Rights Act until the '60s, that these American heroes and their stories are not well known; and the fact that the 442nd/100th became the most decorated unit in U.S. history.

I love independent films because I love to help, I love to assist, I love to pass along knowledge or experience to young filmmakers because usually, that's what they are. They're young filmmakers who are trying to either just simply tell their stories or trying to break into show business, and this is their calling card. But either way, I just really respect young filmmakers who are trying to tell a story that means something to them.

Don't make the body fit into the clothes. It really is, it's really respecting an individual and trying to cater to that individual's needs. And I guess that's what really is important for each one of us, dealing with each other in society, is look at the person in front of you, look at the individual in front of you and treat that person as a unique individual being. And I think we get along better, not just fashion-wise, but in terms of just dealing with people day-to-day.

What I had found after the success of Karate Kid II is that an actor basically needs to - a primary requirement on my part as how I view as actor is you have to create a background, you have to create a history of that character and place her into the script that you're reading and carry on forward because you don't know how the future unfolds. This is what storytelling is you place a certain set of circumstances with a certain set of characters and you see what unfolds after an event happens.

I was born in Okinawa, but on a U.S. Army base. And my father is Japanese-American which means that he is second generation, but my mom was born in the Philippines and raised in Okinawa. So, how do you know where you are generationally from? I can claim all three legitimately, but I like to say that I am third generation American.