I think the improv also helps with the imagination of dealing this person across from me who's not physically there. When you do an improv scene, you're usually working on a blank stage and creating the props and creating the environment.

It's always been my dream to just continually do really cool indie movies - character-driven stuff.

I think in the inception and creation of the characters, improv was the most important part for me, because I wanted to feel at home in those characters. I wanted to feel like I could commit to them. And so much of improv is saying yes and committing, so I think that's where the improv came in. Even if I'm saying yes to the X across the room from me, or the tennis ball on a stick, I have to stay alive.

I'm so inspired and stimulated by the work that it doesn't ever feel like work.

Go with your gut every single time. It’s never, ever wrong. Even if feels like everybody else is telling you that you need to do this or do that. Your gut is your artist and who you are as a person and what makes you special, and what makes you an interesting performer. Never try to be something you’re not.

I was in a Nativity play as a kid. Back then, I played the donkey.

I'm excited to work on something where I have a bit more time with it, to explore one personality. That's definitely exciting to me.