I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner. How they respond determines the kinds of stories we tell.

I'm attracted to stories that excite my imagination, stories that, as I'm reading the script, I feel it, I can see it, I can hear the characters. I'm attracted to characters that are real, that tap into something inside me that I haven't explored yet.

You're hot for two seconds, and you're struggling to get work again. If it were easy, I don't think that's a good place for an artist to work from.

How you go about moving within the world you live in says so much about who you are.

I find comedy to be really scary, because it can go so wrong so easily, and the margin for error is so huge - and I guess that's what makes it funny, that tension.

For me, comedians are like the epitome for everything great, and they terrify me. I just want to be them. I want to be like them.

Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.