I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner. How they respond determines the kinds of stories we tell.

I love people, watching people interact. It's a lot of psychology. We learn about ourselves by watching other people's lives on the screen.

You learn from the actors that you're working with. I've taken a lot from all of them.

I love performing. I love doing improv. It's a totally terrifying experience, but it's something that I've always felt so strongly about and that I'm kind of obsessed with. And just as an actor, it's a great exercise. It's a great playground, you know, to try things out and to work on your skills. Because the mandate of improv is kind of the same as acting: It's all about your scene partner, it's all about being present and in the moment and exploring together as a team, a collaboration.

Go with your gut every single time. It’s never, ever wrong. Even if feels like everybody else is telling you that you need to do this or do that. Your gut is your artist and who you are as a person and what makes you special, and what makes you an interesting performer. Never try to be something you’re not.

Going back is a nice way to give definition to each of the characters because they are so vastly different. I would never want them to get blended together.

I would love to work with Gena Rowlands. I just don't know in what capacity. I'd play her daughter or granddaughter, or whatever. I would just love to work with her, in whatever capacity.