'Orphan Black' allows for people to have debates and theories and allegiances to different characters; to trust characters and hate other characters, but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling in my book.

For me, comedians are like the epitome for everything great, and they terrify me. I just want to be them. I want to be like them.

We're living in a world where the response is really instantaneous, even though it's delayed by a few months. It comes at you pretty fast.

We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.

You're revealing something about yourself in a more exaggerated, more fleshed-out way, and it awakens something in you that maybe you didn't know you had.

I'm fascinated with psychology, and with why a person walks the way they walk or why they walk into a room the way they do or why we are the way we are, and it's not exclusive to the psychology of a character.

I find comedy to be really scary, because it can go so wrong so easily, and the margin for error is so huge - and I guess that's what makes it funny, that tension.