Those darker sides, the things that we don't want to admit about ourselves - that's what excites me.

As an actor, you're listening to the other person and always trying to be present and take everything they're giving you, but when they're not there you have to produce that yourself.

I have trouble sleeping, at the end of the night. There's a lot of stimulus and my brain is processing a lot of different arcs and personalities. I'm always processing things, so I don't sleep.

I think the improv also helps with the imagination of dealing this person across from me who's not physically there. When you do an improv scene, you're usually working on a blank stage and creating the props and creating the environment.

Sometimes I'll go into a shop and speak in a different accent to see if I can pull it off. But then somebody will be like, 'Where did you say you were from again?' And then I panic, and my accent dissolves, and I pretend like I wasn't doing it in the first place.

I love people, watching people interact. It's a lot of psychology. We learn about ourselves by watching other people's lives on the screen.

For me, comedy literally is way more terrifying than doing drama, so it's always about stretching what I think I can do and putting myself out there in different context.