I've learned a lot about the limits of what I can do, as an artist, or what I'm willing to do. It's a lot of responsibility to carry a show and to speak to people on different levels.

Those darker sides, the things that we don't want to admit about ourselves - that's what excites me.

I'm running on adrenalin when we're shooting. It's non-stop. As soon as I have time to sit down, then I fall asleep.

We're living in a world where the response is really instantaneous, even though it's delayed by a few months. It comes at you pretty fast.

I'm attracted to stories that excite my imagination, stories that, as I'm reading the script, I feel it, I can see it, I can hear the characters. I'm attracted to characters that are real, that tap into something inside me that I haven't explored yet.

I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner. How they respond determines the kinds of stories we tell.

You learn from the actors that you're working with. I've taken a lot from all of them.