I sat down and came up with a caption that I thought would fit well on the poster - something that was short and succinct but got a point across. The latest poster was a direct quote - it was exactly what the woman told me.

I've generally gotten negative feedback from men who don't understand and don't find street harassment to be a serious issue. I've also gotten a lot of responses from women who are appreciative and thankful for the project; who relate to it who are passionate about it.

Men who are offenders of street harassment and women who experience street harassment can walk by and feel something about it, because it's out there in the environment where the harassment actually happens. So it's a lot more powerful than an oil painting that's stuck in a gallery or under my bed or in my studio where only a couple of eyes are going to see it, as opposed to it being in an environment where it could possibly effect a change.

You're treated as though you're just a piece of meat, and you're there for consumption by men. I feel like the common thing is men feeling entitled to treat you how they want to treat you. You never feel as though you have a right to the space. And so that's the theme behind most of the posters - "I'm not outside for your entertainment" and "I'm not seeking your validation."

I am primarily an oil painter and a studio painter, so originally I was going to do an oil painting.

Specifically for black women, our images and our bodies in the media and in history have been so hypersexualized.

I feel like this is a feminist issue and is going to be a part of a feminist conversation, and I wanted images of women of color in that conversation - feminism historically has left us out.