I've generally gotten negative feedback from men who don't understand and don't find street harassment to be a serious issue. I've also gotten a lot of responses from women who are appreciative and thankful for the project; who relate to it who are passionate about it.
Tatyana FazlalizadehI feel like this is a feminist issue and is going to be a part of a feminist conversation, and I wanted images of women of color in that conversation - feminism historically has left us out.
Tatyana FazlalizadehI feel like we're looked at as either completely nonsexual characters or overly sexual characters, and I feel like that affects how we're treated in the public space by men. I believe that women of color experience street harassment in a very hyper way. So I wanted to draw these women in their very normal, regular states and put those images out there in the public for people to see, instead of these other, very sexualized, images of women.
Tatyana FazlalizadehI think it's very important to get this stuff on film, not just the behind-the-scenes of the process, but also the interviews with the women. We're going to try to do some on-the-street filming, getting people's reactions to the work, and seeing if we can get some street harassment happening on film so people can see what we're talking about. It's important to have some type of documentation so people can see what happens when we create this artwork and why I'm creating it.
Tatyana FazlalizadehSpecifically for black women, our images and our bodies in the media and in history have been so hypersexualized.
Tatyana FazlalizadehYou're treated as though you're just a piece of meat, and you're there for consumption by men. I feel like the common thing is men feeling entitled to treat you how they want to treat you. You never feel as though you have a right to the space. And so that's the theme behind most of the posters - "I'm not outside for your entertainment" and "I'm not seeking your validation."
Tatyana Fazlalizadeh