The way that I Am is designed, it becomes a kind of archipelago, which the Bahamas are.

I don't really feel pressure. I'm so distracted by what we're doing; I'm doing this four-acre project, it's just absorbing all my attention. Before you know it we're onto the next project, and so on and so forth.

I think it's every artist's nature to want to escape. It's also human nature in a way, depending on your personality, to want to get away from it all.

The way that I Am is designed, it becomes a kind of archipelago, which the Bahamas are.

I think when you're younger and making things, it's something that you have to fight through, to finish things. I feel like I'm past that stage, and I get the appreciation for being in that moment, and soaking it in.

I was approached by Neville Wakefield. I've known Neville for almost a decade, but we had never really worked together. We sort of threatened to work together on a number of other projects but never really did.

The idea of being in the desert is fundamental, but it's totally relative, and it's about that membrane: the way that one defines self versus the environment.