I'm pretty proud of everything I've done.

You have to study composition to understand that things can be done backwards and forwards and upside down, inverted, but it's mainly just an inner valid intuitive thing. Where do you want to go? Ok this is busy, or this needs some space, or this is too much space so now I want to put more notes in there or something. It's all about contrast. High, low. Fast, slow, thick or thin or what have you. And it's the same with improvisation.

There's things I'd like to do, but I've found that pretty much anything that I try to will to happen doesn't happen, but if you just kind of let go and let things fall into place, somehow I end up being able to do the right thing or the right time.

I have great samples of my drums and I try to program them pretty much how I want to play them, try and make it feel natural even though it's programmed.

If I had my brothers I think with just a little bit of the correct marketing, I'd like to be almost exclusively in small theaters. You know, to me it's like a church for music. You can sit down and really give yourself to the performance and be comfortable with good surroundings and a clean, quiet atmosphere.

When I was in eighth grade said sit in at a graduation party and I played 'Boys' by The Beatles and fifty people were standing around with their mouths open. And you kind of get the hint, well maybe I should do this because I'm not very good at sports, I'm not that popular, I'm not very smart, and I'm not very good looking, but when I played the drums, everybody liked it.

I've composed all my life and kept things, and even developed things I've done in college into something now.