Plot exposition that can be gently wound out by the authorial voice and internal monologue of a character in the length of a page has to be delivered in a matter of seconds on the stage.

There are all kinds of darkness, and all kinds of things can be found in them, imprisoned, banished, lost or hidden. Sometimes they escape. Sometimes they simply fall out. Sometimes they just can't take it any more.

He says gods like to see an atheist around. Gives them something to aim at.

On the Disc the gods dealt severely with atheists.

Fantasy is escapism, but wait... Why is this wrong? What are you escaping from, and where are you escaping to? Is the story opening windows or slamming doors? The British author G.K. Chesterton summarized the role of fantasy very well. He said its purpose was to take the everyday, commonplace world and lift it up and turn it around and show it to us from a different perspective, so that once again we see it for the first time and realize how marvelous it is. Fantasy - the ability to envisage the world in many different ways - is one of the skills that make us human.

Sham Harga had run a successful eatery for many years by always smiling, never extending credit, and realizing that most of his customers wanted meals properly balanced between the four food groups: sugar, starch, grease, and burnt crunchy bits.

But the purpose of the book is not the horror, it is horror's defeat.