The landscape was snow and green ice on broken mountains. These weren't old mountains, worn down by time and weather and full of gentle ski slopes, but young, sulky, adolescent mountains. They held secret ravines and merciless crevices. One yodel out of place would attract, not the jolly echo of a lonely goatherd, but fifty tons of express-delivery snow.

The real world was far too real to leave neat little hints. It was full of too many things. It wasn't by eliminating the impossible that you got to the truth, however improbable; it was by the much harder process of eliminating the possibilities.

He said it was better to belong where you don't belong than not to belong where you used to belong, remembering when you used to belong there.

I was a very keen reader of science fiction, and during the time I was going to libraries, it was good, written by people who knew their science.

Some pirates achieved immortality by great deeds of cruelty or derring-do. Some achieved immortality by amassing great wealth. But the captain had long ago decided that he would, on the whole, prefer to achieve immortality by not dying.

They may be called the Palace Guard, the City Guard, or the Patrol. Whatever the name, their purpose in any work of heroic fantasy is identical: it is, round about Chapter Three (or ten minutes into the film) to rush into the room, attack the hero one at a time, and be slaughtered. No one ever asks them if they want to. This book is dedicated to those fine men.

It's a guilty secret of a lot of writers, as you get older you don't read as much fiction as you used to, mainly because it's like you are deconstructing it all the time.