When contemplating a work of art it is possible to perceive if it has been created according to the eye or to the spirit, in other words, if it projects three-dimensional reality or spiritual n-dimensionality.

There is an old and a new consciousness of the age. The old one is directed towards the individual. The new one is directed towards the universal. The struggle of the individual against the universal may be seen both in the world war and in modern art.

While the expressive possibilities of Neoplasticism are limited to two dimensions (the plane), Elementarism realizes the possibility of plasticism in four dimensions, in the field of time-space.

Art as language....in the future there will only be art. This common language will carry the message of love.

For - to say a few words on technique - whereas the curved line was used predominantly for reasons of beauty, (Phidias, Michelangelo, Raphael, Rubens) it has been used more and more economically for reasons of truth (Millet, Monet, Paul Cézanne) until it will end as the straight line for reasons of Love. This will enable the art of the future to create an international form; a form understandable to all and vital enough to the expression of a general feeling of love in a monumental way. Such is the future.

...every machine is the spiritualization of an organism.

The square is to us what the cross was to the early Christians.