Editing is a very tough period. You're confronted with yourself. It's a deep, dark, truthful mirror.

Each time I had an internship to do or an essay to write, I would always do it in the field of cinema. Nobody in my family worked in film and nobody could understand it.

People who work in distribution will be distributors all their life.

Editing is a very tough period. You're confronted with yourself. It's a deep, dark, truthful mirror.

That's the luck we have with making films in Europe. It's still, in some ways, a virgin territory for a lot of stories. It's funny to see people in 10-gallon hats somewhere in France or Switzerland. You think, "Wow, is this real?" You do it in Wyoming and it's redundant.

When you're a screenwriter, it's like being a mechanic. You open the hood of the story, the director is the driver, and he says, "What do you think? It's a little tough."

It's great to represent things that are not represented.