The good thing about being a writer is that you don't need anything except for a laptop. You can really do your own work and if you're not manically compelled to write all the time before you do it professionally, it's probably not a business for you anyway.

Being a working person who works for the studios. It's a minefield and there's tons of stuff you need to know. And people mess it up all the time.

All studio movies are the middle of the Bell curve. The only way to do something is to do it yourself. And the only way to do that is to not take any money from anyone or take as little money as possible from anyone and that's it.

I need to be spontaneous sometimes. Sometimes I find that the little detail or nuance that you add to it that's based on what's happening at the time that's not very rehearsed often ends up feeling like the funniest thing.

The good thing about being a writer is that you don't need anything except for a laptop. You can really do your own work and if you're not manically compelled to write all the time before you do it professionally, it's probably not a business for you anyway.

People kept passing our [ with Robert Ben Garant] script around, and suddenly we had this reputation as screenwriters, which we're not - we're sketch comedy guys.

I think people were not expecting us [with Robert Ben Garant] to, they were just like, "Well here come the writers," but we both were coming out of a sketch comedy background, so when we pitch a movie, we play every character in the film. You act it out, you perform it - you do a 10-minute performance of the movie.