Each one [movie] is very important to us and from a fiscal responsibility, filmmakers understand that it's highly personal for us and they've been great about it.

I also think that filmmakers understand, we don't have to make twenty movies a year, we make four to six.

When I watch the movie, which is I don't know how many times I've done now with editing and everything, I walk out giddy just because I feel like that's the movie that I want to see.

I don't want to talk about anybody else's movie, but I understand fan skepticism when you're like, "Oh yeah, a Godzilla movie." Which, by the way, our first movie was Batman Begins and was not dissimilar from questions and conversations from people about where the Batman franchise was, so I get it.

We got on a moving train there. That's more of a financing arrangement on that [Dracula] film. It would be disingenuous to say we're producing it. So it was really about getting into business with our partner at Universal.

Whether it's Batman, Superman, Watchmen, the 300 story, we just make stuff that I want to see.

Whether a studio partner is 50/50 with us, or we do 100%, or we do 75% or 90% and for the most part they just distribute, whether that's Warner Brothers or now Universal, it's always a unique situation. Every movie is almost like a start up company.