Whether a studio partner is 50/50 with us, or we do 100%, or we do 75% or 90% and for the most part they just distribute, whether that's Warner Brothers or now Universal, it's always a unique situation. Every movie is almost like a start up company.

I'll tell the only thing I know in this business, I have had the absolute privilege of making movies that I loved when I was a kid and loved my whole life.

When I watch the movie, which is I don't know how many times I've done now with editing and everything, I walk out giddy just because I feel like that's the movie that I want to see.

Godzilla it's not a remake, it's our chapter. I think what I'm most excited about is all the principles that we laid out in the beginning, I feel like we were able to hit on those things.

We just believe in what we make and we're in a very fortunate position to be able to make stuff regardless of what model that follows.

[In remake] you've got to have something new to say, or technology that wasn't available, or a new chapter that kind of speaks to this generation of fans. They've got some unique assets, so we're certainly discussing those things.

When it was time to talk about Warcraft we took our time, we knew what the story was going to be, we had a field general in Duncan Jones. Same thing with Godzilla, we kind of measured twice, cut once.