Whether a studio partner is 50/50 with us, or we do 100%, or we do 75% or 90% and for the most part they just distribute, whether that's Warner Brothers or now Universal, it's always a unique situation. Every movie is almost like a start up company.

When I watch the movie, which is I don't know how many times I've done now with editing and everything, I walk out giddy just because I feel like that's the movie that I want to see.

The truth is at Legendary we really make movies that we want to see, and someday I'm sure that won't work but - I remember, it's obviously a completely different thing, but our first movie was Batman Begins, and there was a lot of things about Batman back then, and there was this guy named Christopher Nolan, that seemed to have worked out okay with him at the helm.

We just believe in what we make and we're in a very fortunate position to be able to make stuff regardless of what model that follows.

Comic-Con is always something that we- we love Comic-Con and we generally have a big presence there. So we usually have something to say there, and just as things come together.

[In remake] you've got to have something new to say, or technology that wasn't available, or a new chapter that kind of speaks to this generation of fans. They've got some unique assets, so we're certainly discussing those things.

When you watch Monsters you understand that the effects he did on his laptop were in the hundreds of thousands of dollars, I was astounded.More than a few people said to me, "That's kind of a crazy thing to go from that level of film and then hand over Godzilla".