When you watch Monsters you understand that the effects he did on his laptop were in the hundreds of thousands of dollars, I was astounded.More than a few people said to me, "That's kind of a crazy thing to go from that level of film and then hand over Godzilla".

I've been a film geek since I was a little kid and to start with an idea and then get a stack of papers with words on it called a script, then storyboarding the art, and you sit with these guys and now all the sudden it's a movie, and to see fans reactions to it when you put it out.

I've got to say that when you're able to work with people like this, whether it's Gareth or Guillermo or Zack Snyder or Chris Nolan, it's a privilege to do this and I've never lost the awe, the awe factor of just going in and watching peoples reactions to what you've spent, in a lot of cases, years working on. That's a good way to put it, I love what I do and it's a privilege to do it.

We just believe in what we make and we're in a very fortunate position to be able to make stuff regardless of what model that follows.

When you watch Monsters you understand that the effects he did on his laptop were in the hundreds of thousands of dollars, I was astounded.More than a few people said to me, "That's kind of a crazy thing to go from that level of film and then hand over Godzilla".

The truth is at Legendary we really make movies that we want to see, and someday I'm sure that won't work but - I remember, it's obviously a completely different thing, but our first movie was Batman Begins, and there was a lot of things about Batman back then, and there was this guy named Christopher Nolan, that seemed to have worked out okay with him at the helm.

When it was time to talk about Warcraft we took our time, we knew what the story was going to be, we had a field general in Duncan Jones. Same thing with Godzilla, we kind of measured twice, cut once.