Most people went to dance shows, but it was basically a table and a DJ playing and not really a spectacular thing. I brought the whole production with the effects - the best sound, the best lighting to blow the fans away.

I love L.A., but I don't live there. I spent some time there when I was recording 'Kaleidoscope,' mainly working with some of the artists I collaborated with. The city and people in L.A. have a great vibe and the weather is always beautiful.

I was only interested in music, but I spent so much time in the clubs and seeing fashions change. So naturally, I developed an interest in it.

If you remix, people want to tap into your sound. If you keep that to yourself it makes the sound more special.

I've always wanted to be a DJ so I could play the music I love for other people. That feeling hasn't changed, but my sets are always evolving. In terms of tailoring to a specific crowd, certainly I do play differently depending on the situation. It's a different feel, for example, in a small club versus a festival.

I spend a lot of time talking to young and emerging producers on Twitter, feeding back thoughts and encouraging them.

I think I am example for our scene, so I have to be an example for the rest.