The most exciting part of the casting process was casting out of Israel, which was a really unique process, mainly done remotely from California, looking at casting tapes.

Even the most loyal viewers of a show would only watch one out of three episodes. As someone who made television, I always found that hard to believe because you want to believe people who love your show are watching every episode, but statistically it was true that people who considered themselves the most loyal viewers were only watching one out of three.

Tou don't have to spoon feed things to the audience. They have to work at things. Oftentimes, with binge-able stuff, second and third viewings are really important because you see, "Oh, that character I didn't like, that was supposed to be that way because, in Episode 9, he turned out to be a turncoat. Now, I'm going to go back and watch all those moments that I felt that way about him." That's what's fun about it.

The ability to be writing towards something that was actually going to be a whole series was a really big lure.

I really enjoy the pastiche storytelling of watching separate stories slowly collide with one another. The audience gets to participate in trying to guess and decipher how one story will connect with another.

The most exciting part of the casting process was casting out of Israel, which was a really unique process, mainly done remotely from California, looking at casting tapes.

With the casting in Israel, sometimes there were four or five people, that you could just flip a coin and choose from, that would have been all terrific. And seeing all of these fabulous faces that the American audiences are just not used to seeing is really exciting.