I love JFK. My mother had been a worker on his campaign and adored him.

I always wanted to be an actor. I was one of those lucky kids - or cursed kids - who always knew what he wanted to do. My wife too. She's a ballet dancer, and she's known what she wanted to do since she was 5. My mother used to tell this story about how our TV set had been taken to be repaired, and back then, they took the set out of the console. So there was this empty console with an empty TV screen in it, and I would climb inside and be like, "I'm on TV!"

Meeting Jerry Mathers I remember thinking, "This is it, man. This is the Hollywood life! I'm an actor and I'm going to Jerry's party. This is how it begins!" I was 13 or 14, and I thought this was the beginning of something.

We wanted to make Tucker's Witch just more human and playful, because I don't think we see enough playfulness between characters on TV. It's like, "Who really gives a damn about two detectives on a case?" The sillier we went, the better it worked.

As an actor and a director, I always let my actors go... assuming they have good ideas.

As a director, I know everybody's job, and I know how to do it. I can smell bullshit when someone's telling me it can't be done, because I've seen it done a hundred thousand times.

Sam Kinison was one of the most compulsive people I'd ever seen. James Belushi was that way, and Chris Farley was that way. He was incredibly talented and made me laugh so hard, and there was nothing he wouldn't say. Such a unique, amazing, cynical, realistic, but still optimistic look at life he had. It was great fun to get to know him.